Movie Tehcniques

Film, what do you think of when you hear that formulate? A motion picture is simply a serial publication of still pictures shown speedily so they sire motion. But a word-painting can be so much much than that. It can describe a story, inform people of news, or educate. A take in can surprise, aggravate, and inspire the imagination. Some of the undeniable skills to analyze how images argon constructed, how they arrive at meanings, and how they affect us alleviate us to better hear convey as a whole. Through break through the class we watched some(prenominal) films each dis vie some different techniques use throughout the films.These techniques help provide a dynamic cash advance to discover the different meanings that the viewer can recover from the film. In Buster Keatons private investigator jr. made in 1924, the proper(postnominal) film technique that surmount stands out is mise-en- blastoff. Mise-en- impression is the composition or whats in the opinion or fram e. This technique includes yearn regorge forward, farseeing nip, and woful tv photographic camera. A circumstantial model of a scene from the film that illustrates mise-en-scene is when intelligence agent younger (Buster Keaton) is riding on the handle bars of the bicycle that the theater manager, Gillette (Ford West) is racing unaired to through town on (154).Sherlock Jr. is unawargon that Gillette has fallen turned and he is performing crazy stunts fleck on the handle bars with no driver. One of the original stunts that he performed is when the motorcycle appears to cross a couplet that is open so it looks like he could fatten out to the ground, but just as he is cut through the gap two trucks pass underneath him option the gap and he safely makes is across. From this account, this hefty scene shows mise-en-scene perfectly. The camera is taking a long take which means that the camera is taking a sensation unbroken scenery that can be moving or stationary.In t his case the camera is moving with the challenge which shows moving camera. The scene also fills long shot which is a shot that shows the full human body, and the camera is also wake the background behind Sherlock Jr. while he racing around town performing crazy stunts. This technique is used to help keep this silent American prank interesting and the consultation intrigued throughout the murder that Sherlock Jr. is presenting. In Sergei Eisensteins 1926 film, Battleship Potemkin, the specific film technique that stands out is montage.Montage is different than mise-en-scene sort of of long take, long shot, and moving camera it is a era of restless shots, showing a condensed series of causes. The one-on-one shots put to bewilderher to cause and unrestrained or intellectual reactions to the sense of hearing. Eisenstein believed that film montage could create ideas or have impact beyond the individual images. He wanted to represent perceptions powerfully more than emotions directly (172). A specific example of a scene that illustrates montage very well is the Odessa go scene.In this scene, the Tsars soldiers march polish a seemingly endless flight of steps in a rhythmic, machine like fashion. While manner of walking down the steps they are shooting into the throng of towns citizens creating a traumatic massacre. thither were several victims including an older woman trying to expose the soldiers but she is stabbed with a knife. The next shot is of a young boy that was killed and his m other was protesting for them to help her because her boy had been hurt, but they didnt even listen and shot her.The next shot flashes to a start out retentiveness onto a baby carriage but she is shot. As she falls to her death she knocks the carriage down the steps. The camera continues to show the carriage tumbling down the steps and then zooming in on the wheels of the carriage and it quickly plummets down the steps. During these main shots, there were quick s hots of other town citizens dying and scurrying to get away. This seven minute scene just showed hit and utter chaos.Montage is used for the Odessa Step scene because it allows Eisenstein to circumvent the audiences perceptions of time by reaching out the crowds flight down the steps. The rapid progression and alteration of images in the sequence gives the audience just a piece from a dreadful nightmare. This sequence of montage sets up the audience to rise up against oppression and the Tsar government. In Orson Welles 1989 film, Citizen Kane, the specific film technique that stands out right from the beginning is mise-en-scene.As explained earlier mise-en-scene is what the director decides to put into the film frame such as lighting, the context of use, costume, and the endeavour and actions of figures appearing within the film. The scene that shows the most powerful and significant mise-en-scene is the first flashback scene set at Charles Foster Kanes (Orson Welles) childish ness home. The scene begins showing Kane in the background, while in the foreground, his parents (Mary and Jim Kane) and Mr. Walter Parks Thatcher (George Coulouris) are discussing his future.Kane appears visually trapped within the frames of a window, signal the way in which he will be trapped into Mr. Thatchers guardianship. During the scene, they show a close up of Kanes facial expression and they shrivel up out to reveal the sleigh, Rosebud, which he was happily playing with moments in the first place. The beginning scene of the flashback of Kanes happy child poke bonnet being given into the hands of Mr. Thatcher illustrates mise-en-scene very well. The scene provides a great example of deep focus, which is the bid within the frame.The director focuses on the foreground with his mother signing the papers, the father in the middle by the door, and young Kane outside the window. The use of mise-en-scene keeps the audience intrigued into who Kane was referring to when he was dy ing and asked for rosebud. They continue to use long take, long shot, and at the end the moving camera reveals what Rosebud was. By not revealing that Rosebud was the sled from his child hood right from the beginning, the audience stays curious as to who Rosebud really was.In Stanley go intoen and Gene Kellys 1951 film, Singin in the Rain, the specific film technique that stands out is mise-en-scene. When mise-en-scene is applied to film it means everything that is present before the camera, which includes arrangement of hold up, actors and sets. During the correct film, mise-en-scene was shown through performance of the main characters Don Lockwood (Gene Kelly), Kathy Seldon (Debbie Reynolds), Lina Lamont (Jean Hagen) and Cosmo brownness (Donald OConnor). These characters would often express their emotions through vociferation or dance.One example of a scene that shows mise-en-scene exhaustively is when Don Lockwood performs the song, Singing in the Rain. The scene starts wi th Don Lockwood kissing Kathy Selden on the doorstep of the house. This starts off as a long shot before zooming into a close up of the two kissing and they are both under Lockwoods comprehensive, which is a crucial prop for the entire scene. There is a unvarying rain throughout the scene, which is acknowledged by Kathy who states This atomic number 20 dew is just a little heavier than usual tonight, before she goes back inside.Don then waves away the waiting locomote which has been visible since the start of the scene. Don begins to sing the fountain of Singing in the Rain. He then shuts his umbrella and begins dancing down the street, filled with a concoction of houses and shops with displays on the window. Don interacts with almost all of the props like the light pole on the paving and the puddles of water on the road. Two people rush past him hiding under a newspaper, while he dances around them giving them a blithe wave.Throughout his performance, Don carries an umbr ella as some lovable of dance partner, and at one point use it as an air guitar. This technique is used in the movie to allow the audience to use the performance to perceive different perceptions and meanings of the images and sound. Mise-en-scene in this specific scene with Don creates a different effect, leaving the audience with a feel good moment. Everyone lives in a different reality and that is why people revel watching films. They give insight into the worlds of others.Film directors do their best to portray their characters lives and make them as believable as they can. They do this through the different film techniques to help describe the way that meaning is created throughout the film. umpteen help set up the realism with costumes, setting and performance, while others use a series of quick shots to condense space, time and information. Even though film is just a story or event recorded by a camera as a set of images, when shown to an audience the meanings created hel ps them to better understand the films overall.